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Portal:Poetry

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Welcome to the Poetry Portal

The first lines of the Iliad
The first lines of the Iliad
Great Seal Script character for poetry, ancient China
Great Seal Script character for poetry, ancient China

Poetry (from the Greek word poiesis, "making") is a form of literary art that uses aesthetic and often rhythmic qualities of language to evoke meanings in addition to, or in place of, literal or surface-level meanings. Any particular instance of poetry is called a poem and is written by a poet.

Poets use a variety of techniques called poetic devices, such as assonance, alliteration, euphony and cacophony, onomatopoeia, rhythm (via metre), and sound symbolism, to produce musical or other artistic effects. They also frequently organize these effects intos, which may be strict or loose, conventional or invented by the poet. Poetic structures vary dramatically by language and cultural convention, but they often use rhythmic metre (patterns of syllable stress or syllable (mora) weight). They may also use repeating patterns of phonemes, phoneme groups, tones (phonemic pitch shifts found in tonal languages), words, or entire phrases. These include consonance (or just alliteration), assonance (as in the dróttkvætt), and rhyme schemes (patterns in rimes, a type of phoneme group). Poetic structures may even be semantic (e.g. the volta required in a Petrachan sonnet).

Most written poems are formatted in verse: a series or stack of lines on a page, which follow the poetic structure. For this reason, verse has also become a synonym (a metonym) for poetry. (Full article...)

Selected article

Haiku by Matsuo Bashō reading "Quietly, quietly, / yellow mountain roses fall – / sound of the rapids"

Haiku (俳句, listen) is a type of short form poetry that originated in Japan. Traditional Japanese haiku consist of three phrases composed of 17 morae (called on in Japanese) in a 5, 7, 5 pattern; that include a kireji, or "cutting word"; and a kigo, or seasonal reference. However, haiku by classical Japanese poets, such as Matsuo Bashō, also deviate from the 17-on pattern and sometimes do not contain a kireji. Similar poems that do not adhere to these rules are generally classified as senryū.

Haiku originated as an opening part of a larger Japanese genre of poetry called renga. These haiku written as an opening stanza were known as hokku and over time they began to be written as stand-alone poems. Haiku was given its current name by the Japanese writer Masaoka Shiki at the end of the 19th century.

Originally from Japan, haiku today are written by authors worldwide. Haiku in English and haiku in other languages have different styles and traditions while still incorporating aspects of the traditional haiku form. Non-Japanese language haiku vary widely on how closely they follow traditional elements. Additionally, a minority movement within modern Japanese haiku (現代俳句, gendai-haiku), supported by Ogiwara Seisensui and his disciples, has varied from the tradition of 17 on as well as taking nature as their subject. (Full article...)

Selected image

Theatrical poster for The Raven, 1908
image credit: Library of Congress

Poetry WikiProject

Charles Baudelaire
Charles Baudelaire
The poetry WikiProject works to improve the quality and scope of all poetry-related articles. Please join us!

Selected biography

Hilda "H.D." Doolittle (September 10, 1886 – September 27, 1961) was an American poet, novelist, and memoirist known for her association with the early 20th century avant-garde Imagist group of poets such as Ezra Pound and Richard Aldington.

H.D. was born in Bethlehem, Pennsylvania in 1886 and moved to London in 1911, where her publications earned her a central role within the then emerging Imagist movement. A charismatic figure, she was championed by the modernist poet Ezra Pound, who was instrumental in building and furthering her career. From 1916–17, she acted as the literary editor of the Egoist journal, while her poetry appeared in the English Review and the Transatlantic Review. During the First World War, H.D. suffered the death of her brother and the breakup of her marriage to the poet Richard Aldington, and these events weighed heavily on her later poetry. Glenn Hughes, the authority on Imagism, wrote that 'her loneliness cries out from her poems. She had a deep interest in Ancient Greek literature, and her poetry often borrowed from Greek mythology and classical poets. Her work is noted for its incorporation of natural scenes and objects, which are often used to emote a particular feeling or mood.

She befriended Sigmund Freud during the 1930s, and became his patient in order to understand and express her bisexuality. H.D. married once, and undertook a number of relationships with both men and women. She was unapologetic about her sexuality, and thus became an icon for both the gay rights and feminist movements when her poems, plays, letters and essays were rediscovered during the 1970s and 1980s. (Full article...)

Selected poem

A Mountain Home by Heinrich Heine

On the mountain stands the shieling,
    Where the good old miner dwells;
Green firs rustle, and the moonbeams
    Gild the mountain heights and fells.

In the shieling stands an armchair,
    Carven quaint and cunningly;
Happy he who rests within it,
    And that happy guest am I.

On the footstool sits the lassie,
    Leans upon my lap her head;
Eyes of blue, twin stars in heaven,
    Mouth as any rosebud red.

And the blue eyes gaze upon me,
    Limpid, large as midnight skies;
And the lily finger archly
    On the opening rosebud lies.

"No, the mother cannot see us –
    At her wheel she spins away;
Father hears not-he is singing
    To the zitter that old lay."

So the little maiden whispers,
    Softly, that none else may hear,
Whispers her profoundest secrets
    Unmistrusting in my ear.

Now that auntie's dead, we cannot
    Go again to Goslar, where
People flock to see the shooting:
    'Tis as merry as a fair.

And up here it's lonely, lonely,
    On the mountain bleak and drear;
For the snow lies deep in winter;
    We are buried half the year.

And, you know, I'm such a coward,
    Frightened like a very child
At the wicked mountain spirits,
    Goblins who by night run wild."

Suddenly the sweet voice ceases;
    Startled with a strange surprise
At her own words straight the maiden
    Covers with both hands her eyes.

Louder outdoors moans the fir-tree,
    And the wheel goes whirring round;
Snatches of the song come wafted
    With the zitter's fitful sound.

Fear not, pretty one, nor tremble
    At the evil spirits' might;
Angels, dearest child, are keeping
    Watch around thee day and night.

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