Jump to content

Hossein Nuri

From Wikipedia, the free encyclopedia
Hossein Nuri
حسین نوری
Nuri in 2014
Born
Gholam Hossein Nuri Nekah

(1954-07-01) 1 July 1954 (age 70)
Mashhad, Khorasan, Iran
Occupation(s)Painter, playwright, filmmaker
SpouseNadia Maftouni
Children2
Websitewww.nurigallery.com

Hossein Nuri (also spelled Hosein Noori or Hussein Nouri) (Persian: حسین نوری, born 1 July 1954) is an Iranian painter, playwright and film director. One of Nuri's pre-eminent characteristics is that despite his physical limitations he has gained professional acclaim in three fields of painting, theater, and cinema.

Early life

[edit]

Hossein Nuri was born on the first of July 1954 in Mashhad, Iran. He lost his father at the age of three and, despite all the difficulties, his mother raised him along with his brother who was a year older than him.[1] He showed his talent in painting in specialized painting classes at elementary school.[2] After finishing elementary school in Mashhad, he gained a scholarship to continue studies at Farah Industrial Boarding School in Tehran.[3]

Torture and disability

[edit]

Farah Industrial Boarding School was deeply monitored by SAVAK, Iran's pre-revolution secret service. In 1972, Nuri wrote a play which was a political satire criticizing the system and defending human rights. Minutes after the play was staged, it was interrupted by military forces present at the school. Nuri was tortured severely and after a series of harsh tortures, he lost the ability to move his hands and legs and his internal health started to deteriorate. He was sent to hospital as he was still under control. Finally as the result of fatal damages to Nuri's body, SAVAK reduced its control and he came back to his family who were then residing at Torbat-e Jam. Nuri continued painting by holding the brush with his mouth and uses a wheelchair.[4]

Marriage

[edit]

After the revolution, Nuri again decided to write plays and staged them in different cities. In a speech he made for the students of Sharif University of Technology, Nadia Maftouni, who was a student of Applied physics, fell in love with Nuri and proposed to him. Nuri accepted and she left her studies to live with Nuri in Torbat-e Jam. They have two sons; Abolfazl Nuri and Mahmoud Nuri. Later, they moved to Mashhad, and afterwards to Tehran.[5]

Painting style

[edit]

In 2004, Nuri introduced his new style of painting in an exhibition he held in Paris. It was based on the painter's intention to create a certain design out of an abstract process. The outcome was a combination of improvisation and calculated design. French painters suggested the name "Reflection" (Réflexion) for the style, which Nuri approved. Nuri does this process with materials such as oil-color and acrylic on large canvas and particularly the large scale of his works is one of his contributions to abstract painting.[6] The use of bright colors and recurrence of butterflies are other characteristics of his style. Many of Nuri's works in the Reflection style are diptychs in which one side reflects the other. During four decades, Nuri has displayed his paintings in more than a hundred individual exhibitions in multiple cities of Iran and in capitals of France, China, Germany, Algeria, Lebanon, and Austria.[7]

Theatrical career

[edit]
Maestro Hossein Nuri Theater

Nuri's theatrical career was revived after the revolution and it wasn't ever secondary to his painting career. In the 80s and 90s He wrote and staged several award-winning plays including The Purgatory Stop (1981), The Crimson Cloak (1982), The Last Festival (1983), The Circus (1985), Companion (1990), Beloved (1991), Intuition (1994), and The Seeker (1996).[8] As an established character in Iranian theater history, a theater in city of Mashhad, which is one of Iran's theatrical poles, was named after him as Ustad Hossein Nuri Theater.[9]

Theatrical Awards and Accolades for Hossein Nuri
Year Event Award/Accolade Title
1984 Fajr II International Theater Festival Best Play Crimson Cloak
1992 Fajr X International Theater Festival Best Play Beloved
1993 Fajr XI International Theater Festival Commended Play The Circus
1994 Defense I International Playwrights Festival Commended Play Intuition
1996 Fajr XIV International Theater Festival Commended Play Intuition
2001 Defense Theater Festival 2001 Best Play Companion
2002 Defense Theater Festival 2002 Best Play The Seeker
2003 Dialogue Among Civilizations center Special Recognition For Lifetime Achievements
2004 Fajr XXIII International Theater Festival Special Recognition For Lifetime Achievements
2009 Fajr XXVII International Theater Festival Special Recognition For Lifetime Achievements
2020 Opening of a theater (building) in his name: Maestro Hossein Nuri Theater
2024 Fajr XLII International Theater Festival Equivalent PhD Degree in Playwriting[10]
Main Stage Projects with Nuri's Involvement
Year Title Playwright Director Venue Ref.
1981 Monastery of the Magi Yes Yes Red Crescent Theater
1982 The Purgatory Stop Yes No City Theater of Tehran
1983 The Crimson Cloak Yes No Vahdat Hall [11]
1985 Rattlesnake No Yes City Theater of Tehran [12]
1985 The Last Festival Yes No Molavi Theater [13]
1991 Companion Yes No City Theater of Tehran [14]
1992 Beloved Yes Yes Molavi Theater [15]
1992 Borrowed Land Yes Yes Molavi Theater [16]
1993 The Circus Yes Yes Molavi Theater [17]
1995 Witnesses Yes Yes City Theater of Tehran [18]
2002 The Seeker Yes Yes Molavi Theater [19]

Television and cinema

[edit]

Nuri directed several documentaries and television programs in the 80s and 90s. In early 2000s he directed some of his plays for television including The Last Festival, The Circus, Beloved, Intuition, and The Seeker. He was co-writer of the Saint Mary project of which a movie version was primarily released in theaters in 2000 and later the extended TV version was televised on multiple global networks and became a hit.[20]

In 2019 Nuri wrote and directed the feature film My Arms Flew which was based on some actual events in his life. The film was screened and awarded in festivals and events in Iran, India, Germany, Italy, US, and Canada. After the screening of the film at Simon Fraser University of Canada, Patricia Gruben said: "I saw many things the second time that I had not understood on first viewing. The way it works with narrative is fascinating. I very much liked the visual construction of mise-en-abyme, where an image is inside another image, as with the dirt-bike footage and the cats in the window, and the paintings themselves. Also the dialectic between anger and spiritual beauty — the anger expressed in those violent paintings and suggested in the struggle to get off the floor, and in the brief cruelty of the cat against her kitten. And yet the ethereal beauty of the paintings, and of both Hossein and Nadia's faces, transcends that violence. It's really a wonderful film, and beautifully shot."[21][22]

Nuri has been a juror in multiple theater and film festivals. He was a jury member in the first edition of Cinema and Women Film Festival in Iran in 1995.[23] After his film's success, Nuri has served as a jury member in various editions of Jaipur International Film Festival and New Delhi International Film Festival.[24] He was a juror in Resistance International Film Festival in 2020[25] and a program director in Red Rock Film Festival in 2024.[26]

Virgin Mary painting

[edit]
Hossein Nuri in front of the Danish embassy in Tehran

In February 2006 during the protests against Jyllands-Posten cartoons of Prophet Muhammad, Nuri brought his aesthetic depiction of Virgin Mary in front of the Danish embassy in Tehran and expressed his protest in a peaceful way "to respond to ugliness with beauty" as he put it. The incident was instantly reflected locally and globally. The day after, it was on the front page of four Iranian newspapers, Jame Jam, Tehran Times, Sarmayeh, and Asrar.[27][28][29][30] Reuters and DHA were present at the scene, and CNN covered it in an extended report.[31] Besides the primary impact, it engendered further comments by scholars and activists in the following years. Linda Sartor of Saint Mary's College of California referred to the incident in her book about her journey to East Asia.[32] Ian Linden, Professor of Religious Studies at SOAS who teaches on Christian-Muslim relations said: "When there was a demonstration in front of the Danish Embassy in protest against the cartoons negatively caricaturing the Prophet Muhammad, an artist, who had lost the use of both arms, had managed while holding the paint brush in his teeth, to create a beautiful painting of Mary. He displayed the image and asked a question: This is our faith. What is yours?" [33] Geraldine Smyth of Trinity College Dublin said: "I think it's a very strong political statement to confront the ugliness with the beauty. It also conveys another face of Islam that has not to do with violence and burning embassies. There are other ways of answering violence and I think this more powerful way, because it disarms people."[34]

Recognition

[edit]

Slavoj Žižek mentioned Nuri in the final part of an academic talk with Nadia Maftouni. As he was close to tears he said: "And incidentally, I know this will appear very low, but I mean it so sincerely... It made me cry when I read about this. Listen Nadia! Sincerely all the best to your husband."[35]

See also

[edit]

References

[edit]
  1. ^ "گزارشی از نمایشگاه نقاشی آقای حسین نوری و گفتگو با همسر ایشان".
  2. ^ "La peinture selon Nuri". 22 October 2004.
  3. ^ "گزارشی از نمایشگاه نقاشی آقای حسین نوری و گفتگو با همسر ایشان".
  4. ^ "La peinture selon Nuri". 22 October 2004.
  5. ^ "وقتی در زندگی عشق حرف آخر را می‌زند". 25 April 2014.
  6. ^ "هنر بازتاب ظاهر و باطن است".
  7. ^ https://www.isna.ir/news/8405-07354
  8. ^ "Hossein Nuri's Theaterical Career". 27 August 2019.
  9. ^ "Maestro Hossein Nuri Theater Opened in Mashhad". September 2019.
  10. ^ "اهدای نشان درجه یک هنری به ۸ هنرمند". 21 January 2024.
  11. ^ Islamic Republican Daily (December 29, 1983) p. 9
  12. ^ Kayhan (October 30, 1985), p. 6
  13. ^ "Nuri's The Last Festival Directed By Fanaian as Unveiling". 10 August 2010.
  14. ^ Ettela'at (October 15, 1991), p. 5
  15. ^ Ettela'at Weekly (January 15, 1992), no. 2557 p. 23
  16. ^ Islamic Republican Daily (June 7, 1992) p. 14
  17. ^ Hamshahri (September 9, 1993) p. 10
  18. ^ Iran Daily (July 25, 1995) p. 12
  19. ^ Jam-e Jam (December 24, 2001) p. 8
  20. ^ "Behind the Scenes of Nuri's Directing". Archived from the original on 18 April 2015. Retrieved 3 April 2015.
  21. ^ "Nuri's My Arm's Flew Screened at SFU".
  22. ^ "My Arm's Flew Screening and Analysis Session in Canada". 4 May 2019.
  23. ^ Resalat (November 14, 1995) p. 10
  24. ^ https://www.irna.ir/news/83612681/%DA%A9%D8%A7%D8%B1%DA%AF%D8%B1%D8%AF%D8%A7%D9%86-%D8%A7%DB%8C%D8%B1%D8%A7%D9%86%DB%8C-%D8%AF%D8%A7%D9%88%D8%B1-%D8%AC%D8%B4%D9%86%D9%88%D8%A7%D8%B1%D9%87-%D9%81%DB%8C%D9%84%D9%85-%D8%AC%DB%8C%D9%BE%D9%88%D8%B1-%D8%B4%D8%AF
  25. ^ https://www.isna.ir/news/99082718926/%D8%A7%D8%B9%D9%84%D8%A7%D9%85-%D8%A7%D8%B3%D8%A7%D9%85%DB%8C-%D9%81%DB%8C%D9%84%D9%85-%D9%87%D8%A7-%D9%88-%D8%AF%D8%A7%D9%88%D8%B1%D8%A7%D9%86-%D8%AC%D8%B4%D9%86%D9%88%D8%A7%D8%B1%D9%87-%D9%81%DB%8C%D9%84%D9%85-%D9%85%D9%82%D8%A7%D9%88%D9%85%D8%AA
  26. ^ https://suindependent.com/red-rock-film-festival-returns-in-september/
  27. ^ Jam-e Jam (February 14, 2006) p. 1
  28. ^ Tehran Times (February 14, 2006) p. 1
  29. ^ Sarmayeh (February 14, 2006) p. 1
  30. ^ Asrar (February 14, 2006) p. 1
  31. ^ "CNN: Artist Bring Artwork to a Protest in Tehran". YouTube. 11 August 2024.
  32. ^ Sartor, Linda (March 2014). Turning Fear Into Power: One Woman's Journey Confronting the War on Terror. Psychosynthesis Press. ISBN 978-0-9913196-0-2.
  33. ^ Hearden, Maura (2014). Mary, for the Love and Glory of God: Essays on Mary and Ecumenism. VA: AuthorHouse. p. 116. ISBN 978-1-4567566-7-3. Retrieved November 6, 2018.
  34. ^ "Scholars of Islam and Christianity Comment on Nuri's Saint Mary Painting".
  35. ^ "Slavoj Žižek on Hossein Nuri". YouTube. 18 July 2021.
[edit]