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The Disquieting Muses (short story)

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The Disquieting Muses
Publisher William Heinemann Ltd.
Publication date1960
Media typePrint (hardback)
Lines56 (seven stanzas)

“The Disquieting Muses” is a poem by Sylvia Plath first appearing in the 1960 collection The Colossus and Other Poems published by William Heinemann, Ltd.[1]

Background

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“The Disquieting Muses” was among the eight poems Plath wrote in winter and spring of 1958 during a period of inspired creativity.[2][3] Fellow poet and spouse Ted Hughes reported that she was writing as much as 12-hours “at a stretch…too excited to sleep.”[4]

In a note referencing these “eight poems,” Plath exalted at the quality of her recent work:

I think I have written poems that qualify me to be The Poetess of America (as Ted will be the poet of England and her dominions). Who rivals? Well, in history - Sappho, Elizabeth Barrett Browning, Christina Rossetti, Amy Lowell, Emily Dickinson, Edna St. Vincent Millay - all dead. Now: Edith Sitwell & Marianne Moore, the aging giantesses & poetic godmothers. Phyllis McGinley is out—light verse: she’s sold herself. Rather: May Swenson, Isabella Gardner, & most close Adrienne Cecile Rich—who will soon be eclipsed by these with poems: I am eager, chafing, sure of my gift, wanting only to train & teach it—I’ll count the magazines and the money I break open with these eight poems from now on. We’ll see.[5]

Literary critic Edward Butscher declared “The Disquieting Muses” the genesis of Plath’s “artist self.”[6]

1938 New England hurricane

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“The Disquieting Muses” includes a reference to Plath’s childhood in Winthrop, Massachusetts when a category 3 hurricane struck the area in September 1938: “windows bellied in / like bubbles about to break.” Almost six-years-of-age at the time, Plath retained vivid memories of a storm that killed 564 people and injured 1,700. Winthrope and other communities suffered significant property damage.[7]

Theme

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Biographer Caroline King Barnard locates the poem’s theme in the familiar realm of a daughter’s discontents with her upbringing - emphatically directed at her mother.[8]

In each of its seven stanzas Plath registers a malediction. Barnard offers the first of the stanzas in which the disquieting muses appear at “the left side” of the infant daughter’s crib:

Mother, mother, what illbred aunt
Or what disfigured and unsightly
Cousin did you so unwisely keep
Unasked to my christening, that she
Sent these ladies in her stead
With heads like darning-eggs to nod
And nod and nod at foot and head
And at the left side of my crib
?[9][10]

Barnard points out that despite its commonplace theme, familiar to daughters and mothers alike, “the strength of the conviction is not diminished by its lack of uniqueness.”[11]

Footnotes

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  1. ^ Barnard, 1978 pp. 121-128: Selected bibliography
  2. ^ Rollyson, 2024 p. 215
  3. ^ Plath, 1981: See Table of Contents p. 6: Editor Ted Hughes places the poem chronologically in 1957.
    Barnard, 1978 p. 35: Barnard indicates that the poem was written in 1958, in Northampton, Massachusetts.
  4. ^ Rollyson, 2024 p. 215: “She was in an ecstasy of creation…in a manic, Promethean outpouring.” And p. 218: “...the manic energy that had produced eight good poems…”
  5. ^ Rollyson, 2024 p. 216: Rollyson does not provide the date nor to whom this note was written.
  6. ^ Rollyson, 2024 p. 216
  7. ^ Rollyson, 2024 p. 5: Verses quoted here. And: Stats on deaths, damage.
  8. ^ Barnard, 1978 p. 53: “...the poet expresses here the familiar you-dont-understand-me theme of nearly every child to a parent, of nearly every daughter to a mother.”
  9. ^ Barnard, 1978 p. 53
  10. ^ Plath, 1981 p. 74-75
  11. ^ Barnard, 1978 p. 53

Sources

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  • Barnard, Caroline King. 1978. Sylvia Plath. Twayne Publishers, G. K. Hall & Co., Boston, Massachusetts. ISBN 0-8057-7219-7
  • Plath, Sylvia. 1981. Sylvia Plath: The Collected Poems. Ted Hughes, editor. Harper & Row, New York. pp. 74-76 ISBN 0-06-013369-4
  • Rollyson, Carl E.. 2024. The Making of Sylvia Plath. University Press of Mississippi ISBN 978-1496846679