| Rank
|
Page title
|
Views
|
Daily average
|
Assessment
|
Importance
|
| 1
|
Thomas Jefferson
|
201,313
|
6,493
|
B
|
Mid
|
| 2
|
Friedrich Nietzsche
|
162,013
|
5,226
|
B
|
High
|
| 3
|
Oscar Wilde
|
148,560
|
4,792
|
GA
|
Low
|
| 4
|
Andy Warhol
|
146,532
|
4,726
|
B
|
Mid
|
| 5
|
Leo Tolstoy
|
126,815
|
4,090
|
B
|
Mid
|
| 6
|
Plato
|
122,065
|
3,937
|
B
|
High
|
| 7
|
Ayn Rand
|
121,562
|
3,921
|
GA
|
Mid
|
| 8
|
Aristotle
|
114,855
|
3,705
|
GA
|
High
|
| 9
|
Uncanny valley
|
77,379
|
2,496
|
B
|
Low
|
| 10
|
Eye of Providence
|
77,209
|
2,490
|
C
|
Low
|
| 11
|
Romanticism
|
76,346
|
2,462
|
C
|
High
|
| 12
|
Immanuel Kant
|
75,232
|
2,426
|
B
|
High
|
| 13
|
Johann Wolfgang von Goethe
|
69,982
|
2,257
|
B
|
Mid
|
| 14
|
Marquis de Sade
|
68,900
|
2,222
|
B
|
Mid
|
| 15
|
Voyeurism
|
67,196
|
2,167
|
C
|
Mid
|
| 16
|
Georg Wilhelm Friedrich Hegel
|
59,983
|
1,934
|
GA
|
High
|
| 17
|
Slavoj Žižek
|
59,211
|
1,910
|
B
|
High
|
| 18
|
Arthur Schopenhauer
|
57,560
|
1,856
|
B
|
High
|
| 19
|
Camp (style)
|
54,966
|
1,773
|
B
|
Low
|
| 20
|
Art
|
53,831
|
1,736
|
B
|
High
|
| 21
|
Postmodernism
|
51,871
|
1,673
|
C
|
Mid
|
| 22
|
Impressionism
|
51,048
|
1,646
|
C
|
Low
|
| 23
|
Model (person)
|
50,388
|
1,625
|
C
|
Low
|
| 24
|
Søren Kierkegaard
|
50,098
|
1,616
|
B
|
High
|
| 25
|
Surrealism
|
49,774
|
1,605
|
B
|
Low
|
| 26
|
Dada
|
49,445
|
1,595
|
B
|
Low
|
| 27
|
Bauhaus
|
49,405
|
1,593
|
B
|
Low
|
| 28
|
Baroque
|
49,220
|
1,587
|
C
|
Low
|
| 29
|
Eroticism
|
48,700
|
1,570
|
C
|
Low
|
| 30
|
Ptolemy
|
44,887
|
1,447
|
B
|
Mid
|
| 31
|
Susan Sontag
|
42,464
|
1,369
|
B
|
Mid
|
| 32
|
Avant-garde
|
41,804
|
1,348
|
C
|
Low
|
| 33
|
David Hume
|
40,883
|
1,318
|
B
|
High
|
| 34
|
Sexual attraction
|
39,926
|
1,287
|
C
|
Low
|
| 35
|
Martin Heidegger
|
39,679
|
1,279
|
C
|
High
|
| 36
|
Modernism
|
39,137
|
1,262
|
B
|
High
|
| 37
|
Aesthetics
|
37,989
|
1,225
|
B
|
High
|
| 38
|
Kitsch
|
37,394
|
1,206
|
C
|
Mid
|
| 39
|
Physical attractiveness
|
36,051
|
1,162
|
B
|
Mid
|
| 40
|
Wabi-sabi
|
35,729
|
1,152
|
C
|
Low
|
| 41
|
Edmund Burke
|
34,932
|
1,126
|
B
|
Mid
|
| 42
|
Objectivism
|
33,689
|
1,086
|
B
|
Mid
|
| 43
|
Semiotics
|
33,632
|
1,084
|
C
|
Mid
|
| 44
|
Harlem Renaissance
|
30,160
|
972
|
B
|
Low
|
| 45
|
Expressionism
|
29,316
|
945
|
C
|
Low
|
| 46
|
Cubism
|
29,204
|
942
|
B
|
Low
|
| 47
|
Umberto Eco
|
28,508
|
919
|
B
|
Mid
|
| 48
|
John Dewey
|
27,954
|
901
|
B
|
High
|
| 49
|
Samuel Taylor Coleridge
|
27,625
|
891
|
C
|
Low
|
| 50
|
John Ruskin
|
26,736
|
862
|
B
|
Low
|
| 51
|
Futurism
|
26,341
|
849
|
B
|
Low
|
| 52
|
Neoclassicism
|
25,840
|
833
|
C
|
Low
|
| 53
|
Pragmatism
|
25,118
|
810
|
B
|
High
|
| 54
|
Gilles Deleuze
|
24,779
|
799
|
B
|
High
|
| 55
|
Jacques Lacan
|
24,732
|
797
|
B
|
High
|
| 56
|
Arts and Crafts movement
|
24,674
|
795
|
B
|
Low
|
| 57
|
Comedy
|
24,400
|
787
|
C
|
Mid
|
| 58
|
Punk subculture
|
23,248
|
749
|
Start
|
Low
|
| 59
|
Retrofuturism
|
22,510
|
726
|
B
|
Low
|
| 60
|
Marshall McLuhan
|
21,570
|
695
|
B
|
Mid
|
| 61
|
Walter Benjamin
|
21,232
|
684
|
B
|
Mid
|
| 62
|
Pop art
|
20,771
|
670
|
C
|
Low
|
| 63
|
Theodor W. Adorno
|
20,454
|
659
|
C
|
High
|
| 64
|
Design
|
19,361
|
624
|
C
|
Low
|
| 65
|
Fine art
|
19,139
|
617
|
C
|
Mid
|
| 66
|
Pastiche
|
18,973
|
612
|
Start
|
Low
|
| 67
|
Kawaii
|
18,738
|
604
|
C
|
Low
|
| 68
|
Irony
|
18,080
|
583
|
C
|
Mid
|
| 69
|
Georges Bataille
|
17,741
|
572
|
C
|
Mid
|
| 70
|
Creativity
|
17,452
|
562
|
B
|
High
|
| 71
|
Post-Impressionism
|
17,414
|
561
|
C
|
Low
|
| 72
|
Aestheticism
|
16,710
|
539
|
Start
|
Low
|
| 73
|
Roger Scruton
|
16,404
|
529
|
B
|
Mid
|
| 74
|
Herbert Marcuse
|
16,392
|
528
|
B
|
Mid
|
| 75
|
Fluxus
|
16,319
|
526
|
Start
|
Low
|
| 76
|
Simulacrum
|
16,143
|
520
|
Start
|
Low
|
| 77
|
Mimetic theory
|
16,052
|
517
|
Start
|
Low
|
| 78
|
Roland Barthes
|
16,005
|
516
|
C
|
Mid
|
| 79
|
Catharsis
|
15,782
|
509
|
C
|
High
|
| 80
|
Minimalism
|
15,715
|
506
|
C
|
Mid
|
| 81
|
Friedrich Schiller
|
15,435
|
497
|
C
|
Mid
|
| 82
|
Denis Diderot
|
15,216
|
490
|
C
|
Mid
|
| 83
|
Decadent movement
|
14,454
|
466
|
Start
|
Low
|
| 84
|
Patanjali
|
14,373
|
463
|
C
|
High
|
| 85
|
The Death of the Author
|
14,101
|
454
|
Start
|
Low
|
| 86
|
Literary criticism
|
14,058
|
453
|
Start
|
Mid
|
| 87
|
Abstract expressionism
|
13,940
|
449
|
C
|
Low
|
| 88
|
Humour
|
13,437
|
433
|
C
|
Mid
|
| 89
|
The Doors of Perception
|
13,048
|
420
|
B
|
Low
|
| 90
|
Jonathan Edwards (theologian)
|
12,963
|
418
|
B
|
Low
|
| 91
|
Didacticism
|
12,922
|
416
|
Start
|
Low
|
| 92
|
History of music
|
12,649
|
408
|
B
|
Low
|
| 93
|
Beauty
|
12,559
|
405
|
C
|
Mid
|
| 94
|
Sturm und Drang
|
12,540
|
404
|
C
|
Low
|
| 95
|
Classicism
|
12,385
|
399
|
Start
|
Mid
|
| 96
|
Plotinus
|
12,355
|
398
|
C
|
High
|
| 97
|
Suspension of disbelief
|
12,081
|
389
|
C
|
Low
|
| 98
|
Retro style
|
11,955
|
385
|
C
|
Low
|
| 99
|
Escapism
|
11,953
|
385
|
Start
|
Low
|
| 100
|
Poetics (Aristotle)
|
11,536
|
372
|
C
|
High
|
| 101
|
Symposium (Plato)
|
11,415
|
368
|
C
|
High
|
| 102
|
Conceptual art
|
11,196
|
361
|
C
|
Low
|
| 103
|
Paradigm
|
11,120
|
358
|
Start
|
High
|
| 104
|
Zef
|
10,961
|
353
|
Start
|
Low
|
| 105
|
George Santayana
|
10,845
|
349
|
C
|
Mid
|
| 106
|
Fredric Jameson
|
10,820
|
349
|
C
|
Mid
|
| 107
|
De Stijl
|
10,290
|
331
|
C
|
Low
|
| 108
|
Constructivism (art)
|
10,209
|
329
|
B
|
Low
|
| 109
|
Giorgio Vasari
|
10,106
|
326
|
C
|
Mid
|
| 110
|
Rhyme
|
10,008
|
322
|
C
|
Low
|
| 111
|
Hudson River School
|
9,808
|
316
|
C
|
Low
|
| 112
|
Periods in Western art history
|
9,781
|
315
|
List
|
Low
|
| 113
|
Essentialism
|
9,726
|
313
|
Start
|
Mid
|
| 114
|
Sublime (philosophy)
|
9,645
|
311
|
C
|
Mid
|
| 115
|
Decadence
|
9,533
|
307
|
C
|
Low
|
| 116
|
Imagination
|
9,496
|
306
|
Start
|
Mid
|
| 117
|
Rasa (aesthetics)
|
9,397
|
303
|
Start
|
Low
|
| 118
|
Mimesis
|
9,391
|
302
|
Start
|
Low
|
| 119
|
The World as Will and Representation
|
9,355
|
301
|
B
|
High
|
| 120
|
Symbolism (movement)
|
9,298
|
299
|
C
|
Low
|
| 121
|
György Lukács
|
9,283
|
299
|
C
|
Mid
|
| 122
|
Grotesque
|
9,240
|
298
|
C
|
Low
|
| 123
|
Nicholas Roerich
|
9,137
|
294
|
B
|
Mid
|
| 124
|
Psychoanalytic theory
|
9,091
|
293
|
C
|
High
|
| 125
|
Philistinism
|
8,862
|
285
|
Start
|
Low
|
| 126
|
Suprematism
|
8,807
|
284
|
Start
|
Low
|
| 127
|
Eclecticism
|
8,746
|
282
|
C
|
Mid
|
| 128
|
The Work of Art in the Age of Mechanical Reproduction
|
8,624
|
278
|
C
|
Mid
|
| 129
|
Artist
|
8,459
|
272
|
Start
|
Mid
|
| 130
|
Mikhail Bakhtin
|
8,378
|
270
|
B
|
Mid
|
| 131
|
Neo-expressionism
|
8,332
|
268
|
Start
|
Low
|
| 132
|
Acquired taste
|
8,234
|
265
|
Start
|
Low
|
| 133
|
Academic art
|
8,205
|
264
|
C
|
Low
|
| 134
|
Art movement
|
8,187
|
264
|
Start
|
Low
|
| 135
|
Work of art
|
8,120
|
261
|
Start
|
Mid
|
| 136
|
Feminine beauty ideal
|
8,023
|
258
|
Start
|
Mid
|
| 137
|
Art for art's sake
|
7,971
|
257
|
Start
|
Low
|
| 138
|
Johann Gottlieb Fichte
|
7,896
|
254
|
C
|
High
|
| 139
|
Kokoro
|
7,889
|
254
|
C
|
Low
|
| 140
|
Ensō
|
7,793
|
251
|
C
|
Low
|
| 141
|
Joseph Beuys
|
7,778
|
250
|
B
|
Low
|
| 142
|
Musica universalis
|
7,737
|
249
|
C
|
Low
|
| 143
|
Chinoiserie
|
7,652
|
246
|
C
|
Mid
|
| 144
|
American Craftsman
|
7,610
|
245
|
Start
|
Low
|
| 145
|
Ludwig Feuerbach
|
7,535
|
243
|
C
|
Mid
|
| 146
|
On the Genealogy of Morality
|
7,403
|
238
|
Start
|
High
|
| 147
|
Maximalism
|
7,382
|
238
|
Start
|
Low
|
| 148
|
Friedrich Wilhelm Joseph Schelling
|
7,112
|
229
|
C
|
High
|
| 149
|
History of painting
|
7,073
|
228
|
C
|
Low
|
| 150
|
Historicism
|
6,976
|
225
|
C
|
Mid
|
| 151
|
Form follows function
|
6,849
|
220
|
C
|
Low
|
| 152
|
Postmodern art
|
6,845
|
220
|
B
|
Low
|
| 153
|
Johann Gottfried Herder
|
6,827
|
220
|
C
|
Mid
|
| 154
|
André Malraux
|
6,791
|
219
|
B
|
Low
|
| 155
|
Social realism
|
6,752
|
217
|
Start
|
Low
|
| 156
|
Post-irony
|
6,666
|
215
|
Stub
|
Low
|
| 157
|
Theories of humor
|
6,631
|
213
|
Start
|
Mid
|
| 158
|
Photorealism
|
6,624
|
213
|
B
|
Low
|
| 159
|
Hamartia
|
6,624
|
213
|
C
|
Low
|
| 160
|
Orphism (art)
|
6,612
|
213
|
C
|
Low
|
| 161
|
Novalis
|
6,588
|
212
|
GA
|
Mid
|
| 162
|
Terry Eagleton
|
6,417
|
207
|
C
|
Mid
|
| 163
|
Phonaesthetics
|
6,360
|
205
|
C
|
Low
|
| 164
|
Jean-François Lyotard
|
6,298
|
203
|
B
|
Mid
|
| 165
|
Algernon Charles Swinburne
|
6,276
|
202
|
C
|
Low
|
| 166
|
Primitivism
|
6,220
|
200
|
C
|
Low
|
| 167
|
Op art
|
6,180
|
199
|
Start
|
Low
|
| 168
|
Interpersonal attraction
|
6,179
|
199
|
C
|
Low
|
| 169
|
José Ortega y Gasset
|
6,075
|
195
|
C
|
Low
|
| 170
|
Musicology
|
6,070
|
195
|
C
|
Low
|
| 171
|
Experience machine
|
6,017
|
194
|
Start
|
Low
|
| 172
|
Mathematics and art
|
5,930
|
191
|
GA
|
Mid
|
| 173
|
New Objectivity
|
5,894
|
190
|
Start
|
Low
|
| 174
|
Film criticism
|
5,861
|
189
|
C
|
Low
|
| 175
|
Mathematical beauty
|
5,691
|
183
|
Start
|
Low
|
| 176
|
Cuteness
|
5,690
|
183
|
Start
|
Low
|
| 177
|
Henri Lefebvre
|
5,624
|
181
|
C
|
Mid
|
| 178
|
Moses Mendelssohn
|
5,506
|
177
|
C
|
Mid
|
| 179
|
Human physical appearance
|
5,300
|
170
|
Start
|
Low
|
| 180
|
Friedrich Schleiermacher
|
5,244
|
169
|
B
|
Mid
|
| 181
|
Ekphrasis
|
5,234
|
168
|
C
|
Mid
|
| 182
|
Cool (aesthetic)
|
5,226
|
168
|
B
|
Low
|
| 183
|
Tragic hero
|
5,221
|
168
|
Start
|
Low
|
| 184
|
Metanarrative
|
5,210
|
168
|
C
|
Mid
|
| 185
|
Empire style
|
5,206
|
167
|
C
|
Low
|
| 186
|
Hans-Georg Gadamer
|
5,137
|
165
|
C
|
High
|
| 187
|
Postmodernist film
|
5,129
|
165
|
C
|
Low
|
| 188
|
Northrop Frye
|
4,986
|
160
|
C
|
Low
|
| 189
|
I. A. Richards
|
4,975
|
160
|
C
|
Mid
|
| 190
|
Japanese aesthetics
|
4,961
|
160
|
C
|
Low
|
| 191
|
Abhinavagupta
|
4,916
|
158
|
B
|
Low
|
| 192
|
Sandhi
|
4,891
|
157
|
Start
|
Low
|
| 193
|
A Philosophical Enquiry into the Origin of Our Ideas of the Sublime and Beautiful
|
4,875
|
157
|
Start
|
Low
|
| 194
|
Anamorphosis
|
4,855
|
156
|
Start
|
Mid
|
| 195
|
Distancing effect
|
4,820
|
155
|
Start
|
Low
|
| 196
|
List of sitcoms known for negative reception
|
4,811
|
155
|
List
|
Low
|
| 197
|
Disgust
|
4,771
|
153
|
Start
|
Low
|
| 198
|
Michael Oakeshott
|
4,719
|
152
|
C
|
Low
|
| 199
|
Either/Or (Kierkegaard book)
|
4,715
|
152
|
C
|
High
|
| 200
|
Life imitating art
|
4,672
|
150
|
Stub
|
Low
|
| 201
|
Romantic literature in English
|
4,670
|
150
|
C
|
Low
|
| 202
|
Walter Pater
|
4,587
|
147
|
B
|
Mid
|
| 203
|
Applied arts
|
4,582
|
147
|
Start
|
Low
|
| 204
|
On the Sublime
|
4,529
|
146
|
C
|
Mid
|
| 205
|
Jacques Maritain
|
4,477
|
144
|
C
|
Mid
|
| 206
|
American realism
|
4,430
|
142
|
Start
|
Low
|
| 207
|
Gotthold Ephraim Lessing
|
4,426
|
142
|
C
|
Mid
|
| 208
|
Judgement
|
4,401
|
141
|
Start
|
Low
|
| 209
|
Gaze
|
4,391
|
141
|
Start
|
Mid
|
| 210
|
Ananda Coomaraswamy
|
4,389
|
141
|
C
|
Mid
|
| 211
|
Superflat
|
4,373
|
141
|
Start
|
Low
|
| 212
|
Feminist literary criticism
|
4,351
|
140
|
Start
|
Low
|
| 213
|
Barbizon School
|
4,336
|
139
|
Start
|
Low
|
| 214
|
Stuckism
|
4,287
|
138
|
GA
|
Low
|
| 215
|
Rhetoric (Aristotle)
|
4,252
|
137
|
C
|
Mid
|
| 216
|
Nabis (art)
|
4,246
|
136
|
Start
|
Low
|
| 217
|
Notes on "Camp"
|
4,194
|
135
|
Start
|
Low
|
| 218
|
Benedetto Croce
|
4,180
|
134
|
C
|
Mid
|
| 219
|
Mirror stage
|
4,170
|
134
|
C
|
Mid
|
| 220
|
Jean Anthelme Brillat-Savarin
|
4,143
|
133
|
GA
|
Low
|
| 221
|
Violence in art
|
4,096
|
132
|
C
|
Low
|
| 222
|
Neo-romanticism
|
4,070
|
131
|
Start
|
Low
|
| 223
|
Black Arts Movement
|
4,004
|
129
|
C
|
Low
|
| 224
|
Surrealist automatism
|
3,982
|
128
|
C
|
Low
|
| 225
|
Color field
|
3,975
|
128
|
B
|
Low
|
| 226
|
Against Interpretation
|
3,973
|
128
|
Start
|
Low
|
| 227
|
Film theory
|
3,943
|
127
|
Start
|
Mid
|
| 228
|
Anagnorisis
|
3,936
|
126
|
Start
|
Low
|
| 229
|
Style (visual arts)
|
3,918
|
126
|
Start
|
High
|
| 230
|
Ashcan School
|
3,892
|
125
|
Start
|
Low
|
| 231
|
Ars Poetica (Horace)
|
3,818
|
123
|
C
|
Low
|
| 232
|
Historicism (art)
|
3,694
|
119
|
Stub
|
Mid
|
| 233
|
Arte Povera
|
3,677
|
118
|
Start
|
Low
|
| 234
|
Artistic inspiration
|
3,677
|
118
|
C
|
Mid
|
| 235
|
Unattractiveness
|
3,669
|
118
|
Start
|
Low
|
| 236
|
Kinetic art
|
3,647
|
117
|
Start
|
Low
|
| 237
|
Anti-art
|
3,642
|
117
|
Start
|
Low
|
| 238
|
Postmodernism, or, the Cultural Logic of Late Capitalism
|
3,543
|
114
|
Stub
|
Mid
|
| 239
|
Capitalist realism
|
3,535
|
114
|
C
|
Low
|
| 240
|
Fact–value distinction
|
3,488
|
112
|
Start
|
High
|
| 241
|
Enneads
|
3,483
|
112
|
Start
|
Mid
|
| 242
|
Formalism (literature)
|
3,474
|
112
|
Start
|
Low
|
| 243
|
Aestheticization of politics
|
3,381
|
109
|
Start
|
Low
|
| 244
|
On Photography
|
3,318
|
107
|
Start
|
Low
|
| 245
|
Peripeteia
|
3,308
|
106
|
C
|
Low
|
| 246
|
The Sublime Object of Ideology
|
3,292
|
106
|
Stub
|
Low
|
| 247
|
Albert Caraco
|
3,271
|
105
|
Start
|
Low
|
| 248
|
Aesthetic Realism
|
3,254
|
104
|
C
|
Mid
|
| 249
|
Roger Fry
|
3,251
|
104
|
C
|
Low
|
| 250
|
Hubert Dreyfus
|
3,247
|
104
|
Start
|
Mid
|
| 251
|
Exoticism
|
3,236
|
104
|
Start
|
Low
|
| 252
|
Épater la bourgeoisie
|
3,218
|
103
|
Stub
|
Low
|
| 253
|
Phonestheme
|
3,214
|
103
|
Start
|
Low
|
| 254
|
Friedrich Schlegel
|
3,198
|
103
|
Start
|
Low
|
| 255
|
Neoplasticism
|
3,097
|
99
|
C
|
Low
|
| 256
|
Shin-hanga
|
3,096
|
99
|
C
|
Low
|
| 257
|
Critique of Judgment
|
3,083
|
99
|
C
|
High
|
| 258
|
Applause
|
3,028
|
97
|
Start
|
Low
|
| 259
|
A Mathematician's Apology
|
2,968
|
95
|
C
|
Low
|
| 260
|
Ernst Gombrich
|
2,946
|
95
|
Start
|
Mid
|
| 261
|
Baroque Revival architecture
|
2,829
|
91
|
Start
|
Low
|
| 262
|
R. G. Collingwood
|
2,802
|
90
|
C
|
Mid
|
| 263
|
Picturesque
|
2,794
|
90
|
B
|
Low
|
| 264
|
Imagination Age
|
2,787
|
89
|
C
|
Low
|
| 265
|
Clement Greenberg
|
2,771
|
89
|
C
|
Mid
|
| 266
|
Paul de Man
|
2,761
|
89
|
C
|
Low
|
| 267
|
Regionalism (art)
|
2,731
|
88
|
Start
|
Low
|
| 268
|
Classic
|
2,723
|
87
|
Start
|
Low
|
| 269
|
Maurice Blanchot
|
2,676
|
86
|
Start
|
Mid
|
| 270
|
Shibui
|
2,651
|
85
|
Start
|
Low
|
| 271
|
Weimar Classicism
|
2,570
|
82
|
Start
|
Low
|
| 272
|
Why I Want to Fuck Ronald Reagan
|
2,569
|
82
|
Start
|
Low
|
| 273
|
Criticism of postmodernism
|
2,566
|
82
|
Start
|
Low
|
| 274
|
Postminimalism
|
2,564
|
82
|
Start
|
Low
|
| 275
|
Kenneth Burke
|
2,544
|
82
|
C
|
Low
|
| 276
|
Poshlost
|
2,506
|
80
|
Start
|
Low
|
| 277
|
John Hospers
|
2,455
|
79
|
C
|
Low
|
| 278
|
Literary reception of The Lord of the Rings
|
2,455
|
79
|
GA
|
Low
|
| 279
|
Michel Onfray
|
2,443
|
78
|
C
|
Low
|
| 280
|
Women in music
|
2,428
|
78
|
C
|
Low
|
| 281
|
Elegance
|
2,424
|
78
|
C
|
Low
|
| 282
|
Supervenience
|
2,414
|
77
|
B
|
Mid
|
| 283
|
Paul Virilio
|
2,404
|
77
|
Start
|
Low
|
| 284
|
Chinese ideals of female beauty
|
2,389
|
77
|
Start
|
Low
|
| 285
|
Neo-Dada
|
2,388
|
77
|
Start
|
Low
|
| 286
|
Iki (aesthetics)
|
2,388
|
77
|
Start
|
Low
|
| 287
|
Conceptualism
|
2,370
|
76
|
C
|
Low
|
| 288
|
Zaum
|
2,356
|
76
|
Start
|
Low
|
| 289
|
José Vasconcelos
|
2,322
|
74
|
C
|
Mid
|
| 290
|
Aesthetic taste
|
2,319
|
74
|
Start
|
High
|
| 291
|
Formalism (art)
|
2,310
|
74
|
Start
|
Low
|
| 292
|
Luminism (American art style)
|
2,305
|
74
|
Start
|
Low
|
| 293
|
Anatomy of Criticism
|
2,304
|
74
|
Start
|
Mid
|
| 294
|
Clive Bell
|
2,279
|
73
|
Start
|
Mid
|
| 295
|
Erwin Panofsky
|
2,260
|
72
|
C
|
Mid
|
| 296
|
Vissarion Belinsky
|
2,256
|
72
|
C
|
Low
|
| 297
|
Thomas Reid
|
2,213
|
71
|
C
|
Mid
|
| 298
|
Postmodern music
|
2,190
|
70
|
C
|
Low
|
| 299
|
Mimesis: The Representation of Reality in Western Literature
|
2,189
|
70
|
C
|
Low
|
| 300
|
Proletkult
|
2,175
|
70
|
B
|
Low
|
| 301
|
The Story of Art
|
2,172
|
70
|
Stub
|
Mid
|
| 302
|
Metaphysical painting
|
2,155
|
69
|
Start
|
Low
|
| 303
|
Sully Prudhomme
|
2,136
|
68
|
Start
|
Low
|
| 304
|
Grotesque body
|
2,114
|
68
|
Start
|
Low
|
| 305
|
Pierre Bayle
|
2,096
|
67
|
C
|
Mid
|
| 306
|
Indian aesthetics
|
2,088
|
67
|
C
|
Low
|
| 307
|
Arthur Danto
|
2,074
|
66
|
Start
|
Mid
|
| 308
|
Definition of music
|
2,023
|
65
|
Start
|
Low
|
| 309
|
Russian symbolism
|
2,010
|
64
|
B
|
Mid
|
| 310
|
Theory of art
|
2,008
|
64
|
Start
|
Mid
|
| 311
|
Formalism (philosophy)
|
1,988
|
64
|
Start
|
Low
|
| 312
|
Paul Rée
|
1,987
|
64
|
B
|
Low
|
| 313
|
Harmonices Mundi
|
1,985
|
64
|
C
|
Low
|
| 314
|
Axiology
|
1,978
|
63
|
Redirect
|
Mid
|
| 315
|
Lettrism
|
1,948
|
62
|
C
|
Low
|
| 316
|
Representation (arts)
|
1,946
|
62
|
B
|
Mid
|
| 317
|
Art as Experience
|
1,940
|
62
|
Start
|
Mid
|
| 318
|
Lyrical abstraction
|
1,936
|
62
|
Start
|
Low
|
| 319
|
Stanley Cavell
|
1,931
|
62
|
C
|
Mid
|
| 320
|
Mathematics and architecture
|
1,922
|
62
|
GA
|
Mid
|
| 321
|
Vernon Lee
|
1,918
|
61
|
C
|
Low
|
| 322
|
Anthony Ashley-Cooper, 3rd Earl of Shaftesbury
|
1,917
|
61
|
B
|
Mid
|
| 323
|
Hierarchy of genres
|
1,897
|
61
|
Start
|
Low
|
| 324
|
Sophistication
|
1,859
|
59
|
Start
|
Low
|
| 325
|
Camera Lucida (book)
|
1,852
|
59
|
Start
|
Low
|
| 326
|
Symbolism
|
1,843
|
59
|
Disambig
|
NA
|
| 327
|
Mingei
|
1,830
|
59
|
C
|
Low
|
| 328
|
Hans Pfitzner
|
1,828
|
58
|
Start
|
Low
|
| 329
|
Directoire style
|
1,784
|
57
|
Start
|
Low
|
| 330
|
Purism
|
1,781
|
57
|
Stub
|
Low
|
| 331
|
Art criticism
|
1,739
|
56
|
B
|
Mid
|
| 332
|
Neuroesthetics
|
1,700
|
54
|
Start
|
Mid
|
| 333
|
Importance
|
1,686
|
54
|
B
|
Mid
|
| 334
|
What Is Art?
|
1,685
|
54
|
C
|
Low
|
| 335
|
Feminist film theory
|
1,678
|
54
|
C
|
Low
|
| 336
|
Vittorio Hösle
|
1,677
|
54
|
C
|
Low
|
| 337
|
Ecstasy (philosophy)
|
1,665
|
53
|
Stub
|
Low
|
| 338
|
Nelson Goodman
|
1,659
|
53
|
Start
|
Mid
|
| 339
|
Francis Hutcheson (philosopher)
|
1,653
|
53
|
C
|
Mid
|
| 340
|
The Dialogic Imagination
|
1,622
|
52
|
C
|
Low
|
| 341
|
Eli Siegel
|
1,617
|
52
|
B
|
Mid
|
| 342
|
The New Criterion
|
1,614
|
52
|
Start
|
Low
|
| 343
|
Miyabi
|
1,589
|
51
|
Start
|
Low
|
| 344
|
High modernism
|
1,573
|
50
|
C
|
Low
|
| 345
|
Susanne Langer
|
1,557
|
50
|
C
|
Mid
|
| 346
|
August Wilhelm Schlegel
|
1,534
|
49
|
C
|
Mid
|
| 347
|
Painterliness
|
1,531
|
49
|
Start
|
Low
|
| 348
|
Romantic realism
|
1,507
|
48
|
C
|
Low
|
| 349
|
Feminist art
|
1,507
|
48
|
Start
|
Low
|
| 350
|
Neo-Futurists
|
1,498
|
48
|
Start
|
Low
|
| 351
|
Kitsch movement
|
1,496
|
48
|
Start
|
Low
|
| 352
|
Post-romanticism
|
1,495
|
48
|
Start
|
Low
|
| 353
|
History of aesthetics
|
1,484
|
47
|
C
|
High
|
| 354
|
Anandavardhana
|
1,477
|
47
|
Start
|
Low
|
| 355
|
Arthur Schopenhauer's aesthetics
|
1,475
|
47
|
C
|
Mid
|
| 356
|
Panic Movement
|
1,473
|
47
|
Stub
|
Low
|
| 357
|
Johann Friedrich Herbart
|
1,467
|
47
|
C
|
Mid
|
| 358
|
Neomodern
|
1,464
|
47
|
Start
|
Low
|
| 359
|
Chinese musicology
|
1,446
|
46
|
B
|
Low
|
| 360
|
Alexander Gottlieb Baumgarten
|
1,436
|
46
|
Start
|
Mid
|
| 361
|
Classificatory disputes about art
|
1,427
|
46
|
Start
|
High
|
| 362
|
Crystal Cubism
|
1,398
|
45
|
B
|
Low
|
| 363
|
Romanticism in France
|
1,394
|
44
|
Start
|
Low
|
| 364
|
Joseph Kosuth
|
1,388
|
44
|
C
|
Low
|
| 365
|
Giovanni Papini
|
1,374
|
44
|
C
|
Low
|
| 366
|
Practical philosophy
|
1,341
|
43
|
Stub
|
Low
|
| 367
|
Artistic freedom
|
1,332
|
42
|
B
|
Low
|
| 368
|
Nefer
|
1,316
|
42
|
Start
|
Low
|
| 369
|
Aesthetics of music
|
1,289
|
41
|
Start
|
Low
|
| 370
|
Art manifesto
|
1,286
|
41
|
C
|
Mid
|
| 371
|
The Origin of the Work of Art
|
1,285
|
41
|
C
|
Mid
|
| 372
|
Process art
|
1,276
|
41
|
Start
|
Low
|
| 373
|
Georg Brandes
|
1,261
|
40
|
C
|
Low
|
| 374
|
Motoori Norinaga
|
1,255
|
40
|
Start
|
Low
|
| 375
|
Artforum
|
1,244
|
40
|
Start
|
Low
|
| 376
|
Zeami Motokiyo
|
1,240
|
40
|
C
|
Mid
|
| 377
|
Late modernism
|
1,239
|
39
|
B
|
Low
|
| 378
|
Marxist aesthetics
|
1,227
|
39
|
Stub
|
Mid
|
| 379
|
John Maeda
|
1,227
|
39
|
Start
|
Low
|
| 380
|
Bracha L. Ettinger
|
1,217
|
39
|
B
|
Low
|
| 381
|
Noël Carroll
|
1,209
|
39
|
Stub
|
Low
|
| 382
|
Schopenhauer
|
1,203
|
38
|
Redirect
|
NA
|
| 383
|
John Silber
|
1,184
|
38
|
Start
|
Low
|
| 384
|
Sound poetry
|
1,174
|
37
|
Start
|
Low
|
| 385
|
Florentine painting
|
1,144
|
36
|
C
|
Low
|
| 386
|
Psychology of art
|
1,142
|
36
|
Start
|
Low
|
| 387
|
Eduard Hanslick
|
1,131
|
36
|
Start
|
Low
|
| 388
|
Ridiculous
|
1,127
|
36
|
Start
|
Low
|
| 389
|
Rudolf Arnheim
|
1,119
|
36
|
B
|
Low
|
| 390
|
Max Black
|
1,092
|
35
|
Start
|
Mid
|
| 391
|
Philosophy of music
|
1,088
|
35
|
C
|
Mid
|
| 392
|
Punk visual art
|
1,068
|
34
|
Start
|
Low
|
| 393
|
Line of beauty
|
1,067
|
34
|
Stub
|
Low
|
| 394
|
Richard Meltzer
|
1,062
|
34
|
Start
|
Low
|
| 395
|
Michel Henry
|
1,050
|
33
|
B
|
Low
|
| 396
|
Ludwig Tieck
|
1,049
|
33
|
Start
|
Low
|
| 397
|
William K. Wimsatt
|
1,046
|
33
|
Start
|
Low
|
| 398
|
Romanticism in philosophy
|
1,045
|
33
|
Start
|
Low
|
| 399
|
Sara Danius
|
1,026
|
33
|
C
|
Low
|
| 400
|
Soviet nonconformist art
|
1,006
|
32
|
C
|
Low
|
| 401
|
Objectivism (Ayn Rand)
|
1,003
|
32
|
Redirect
|
NA
|
| 402
|
Classical Realism
|
987
|
31
|
Start
|
Low
|
| 403
|
Todd McGowan
|
984
|
31
|
Start
|
Low
|
| 404
|
Nicholas Wolterstorff
|
976
|
31
|
Start
|
Low
|
| 405
|
Cellar door (phrase)
|
974
|
31
|
Redirect
|
NA
|
| 406
|
Artistic merit
|
972
|
31
|
Start
|
Mid
|
| 407
|
Auto-destructive art
|
968
|
31
|
Start
|
Low
|
| 408
|
Authenticity in art
|
967
|
31
|
Start
|
Low
|
| 409
|
Early life and career of Thomas Jefferson
|
954
|
30
|
C
|
Low
|
| 410
|
Hamid Dabashi
|
944
|
30
|
B
|
Low
|
| 411
|
Elaine Scarry
|
938
|
30
|
Start
|
Low
|
| 412
|
Lectures on Aesthetics
|
923
|
29
|
Stub
|
Mid
|
| 413
|
Béla Balázs
|
919
|
29
|
Start
|
Low
|
| 414
|
Hurufiyya movement
|
913
|
29
|
B
|
Low
|
| 415
|
Hypermodernity
|
902
|
29
|
Start
|
Low
|
| 416
|
Aleksandar Lilov
|
893
|
28
|
Start
|
Low
|
| 417
|
Roman Ingarden
|
881
|
28
|
Start
|
Low
|
| 418
|
Visual rhetoric
|
872
|
28
|
B
|
Low
|
| 419
|
Yūsuf Balasaguni
|
869
|
28
|
Stub
|
Mid
|
| 420
|
Daniel-Henry Kahnweiler
|
849
|
27
|
Start
|
Low
|
| 421
|
Self-portraiture
|
848
|
27
|
C
|
Low
|
| 422
|
Essentially contested concept
|
814
|
26
|
B
|
Low
|
| 423
|
Papunya Tula
|
808
|
26
|
Start
|
Low
|
| 424
|
Victor Cousin
|
805
|
25
|
B
|
Low
|
| 425
|
Ptolemy's intense diatonic scale
|
800
|
25
|
C
|
Low
|
| 426
|
Inner Experience
|
792
|
25
|
Start
|
Mid
|
| 427
|
Art car
|
784
|
25
|
Start
|
Low
|
| 428
|
Mode (literature)
|
780
|
25
|
C
|
Low
|
| 429
|
Tim Dean
|
778
|
25
|
Start
|
Low
|
| 430
|
List of aestheticians
|
767
|
24
|
List
|
Mid
|
| 431
|
Post-conceptual art
|
761
|
24
|
C
|
Low
|
| 432
|
Visual literacy
|
760
|
24
|
Start
|
Low
|
| 433
|
Hugh Kenner
|
748
|
24
|
C
|
Low
|
| 434
|
Community art
|
747
|
24
|
Start
|
Low
|
| 435
|
Avant-Garde and Kitsch
|
743
|
23
|
Start
|
Low
|
| 436
|
Depiction
|
742
|
23
|
C
|
Mid
|
| 437
|
Aesthetic emotions
|
736
|
23
|
Start
|
High
|
| 438
|
The Critic as Artist
|
720
|
23
|
Stub
|
Low
|
| 439
|
Institutional critique
|
719
|
23
|
Start
|
Low
|
| 440
|
The Analysis of Beauty
|
712
|
22
|
Start
|
Low
|
| 441
|
Feminist art movement
|
711
|
22
|
Start
|
Low
|
| 442
|
Heroic realism
|
696
|
22
|
Start
|
Low
|
| 443
|
Paradox of fiction
|
694
|
22
|
C
|
Low
|
| 444
|
Adam Müller
|
687
|
22
|
C
|
Low
|
| 445
|
Bay Area Figurative Movement
|
687
|
22
|
Start
|
Low
|
| 446
|
André Leroi-Gourhan
|
687
|
22
|
Start
|
Low
|
| 447
|
Theological aesthetics
|
679
|
21
|
Start
|
Low
|
| 448
|
Dramatism
|
672
|
21
|
C
|
Low
|
| 449
|
List of French artistic movements
|
663
|
21
|
List
|
Low
|
| 450
|
Alexander Nehamas
|
661
|
21
|
Start
|
Low
|
| 451
|
Vladimir Odoyevsky
|
651
|
21
|
Start
|
Low
|
| 452
|
Stella Kramrisch
|
650
|
20
|
C
|
Low
|
| 453
|
Steven Shaviro
|
645
|
20
|
Start
|
Low
|
| 454
|
Cyborg art
|
643
|
20
|
Start
|
Low
|
| 455
|
Tetsuro Watsuji
|
642
|
20
|
Start
|
Mid
|
| 456
|
Hippias Major
|
642
|
20
|
C
|
Mid
|
| 457
|
Funk art
|
635
|
20
|
Start
|
Low
|
| 458
|
Bernard Bosanquet (philosopher)
|
630
|
20
|
C
|
Mid
|
| 459
|
Les Automatistes
|
624
|
20
|
Stub
|
Low
|
| 460
|
Neo-pop
|
619
|
19
|
Stub
|
Low
|
| 461
|
Outline of aesthetics
|
613
|
19
|
List
|
Low
|
| 462
|
Henry Home, Lord Kames
|
609
|
19
|
C
|
Mid
|
| 463
|
Richard Wollheim
|
607
|
19
|
Start
|
Mid
|
| 464
|
Souleymane Bachir Diagne
|
599
|
19
|
C
|
Low
|
| 465
|
Denis Dutton
|
598
|
19
|
C
|
Mid
|
| 466
|
The Romantic Manifesto
|
595
|
19
|
C
|
Low
|
| 467
|
Philosophy of design
|
581
|
18
|
Stub
|
Low
|
| 468
|
Monroe Beardsley
|
579
|
18
|
Stub
|
Low
|
| 469
|
Paragone
|
572
|
18
|
Start
|
Low
|
| 470
|
Coleridge's theory of life
|
568
|
18
|
C
|
Low
|
| 471
|
Coolhunting
|
561
|
18
|
Start
|
Low
|
| 472
|
Observations on the Feeling of the Beautiful and Sublime
|
557
|
17
|
C
|
Mid
|
| 473
|
Knave of Diamonds (arts association)
|
557
|
17
|
Stub
|
Low
|
| 474
|
Vyacheslav Ivanov (poet)
|
556
|
17
|
C
|
Low
|
| 475
|
Aesthetic interpretation
|
545
|
17
|
Start
|
High
|
| 476
|
François Zourabichvili
|
543
|
17
|
Start
|
Low
|
| 477
|
Tsang Lap Chuen
|
537
|
17
|
C
|
Low
|
| 478
|
Philosophy of film
|
532
|
17
|
Start
|
Mid
|
| 479
|
Dionysian imitatio
|
532
|
17
|
Stub
|
Low
|
| 480
|
Aleksei Losev
|
517
|
16
|
Start
|
Low
|
| 481
|
Ludomusicology
|
516
|
16
|
Start
|
Low
|
| 482
|
Theodor Lipps
|
515
|
16
|
C
|
Low
|
| 483
|
Neo-conceptual art
|
508
|
16
|
C
|
Low
|
| 484
|
Humor research
|
505
|
16
|
Start
|
Mid
|
| 485
|
Artistic integrity
|
490
|
15
|
C
|
Low
|
| 486
|
October (journal)
|
488
|
15
|
Start
|
Low
|
| 487
|
Applied aesthetics
|
485
|
15
|
Start
|
Mid
|
| 488
|
Zoosemiotics
|
483
|
15
|
Start
|
Low
|
| 489
|
Hypergraphy
|
477
|
15
|
C
|
Low
|
| 490
|
Unitary urbanism
|
472
|
15
|
Start
|
Low
|
| 491
|
Magnificence (history of ideas)
|
470
|
15
|
Start
|
Low
|
| 492
|
Pennsylvania Impressionism
|
467
|
15
|
Stub
|
Low
|
| 493
|
History of the concept of creativity
|
465
|
15
|
Start
|
Low
|
| 494
|
Moresque
|
464
|
14
|
Start
|
Low
|
| 495
|
New musicology
|
463
|
14
|
Start
|
Low
|
| 496
|
Four Dissertations
|
456
|
14
|
Stub
|
Low
|
| 497
|
Arts criticism
|
455
|
14
|
Stub
|
Mid
|
| 498
|
Danube school
|
454
|
14
|
C
|
Low
|
| 499
|
Charles Stevenson (philosopher)
|
449
|
14
|
Start
|
Mid
|
| 500
|
Jesse Prinz
|
441
|
14
|
Stub
|
Mid
|
| 501
|
Medieval aesthetics
|
441
|
14
|
C
|
Low
|
| 502
|
Systematic musicology
|
437
|
14
|
Start
|
Low
|
| 503
|
Richard Shusterman
|
432
|
13
|
B
|
Low
|
| 504
|
Philosophy of architecture
|
428
|
13
|
B
|
Low
|
| 505
|
Władysław Tatarkiewicz
|
420
|
13
|
Start
|
Low
|
| 506
|
Matthew Lipman
|
420
|
13
|
Stub
|
Low
|
| 507
|
Kendall Walton
|
420
|
13
|
C
|
Low
|
| 508
|
Francesco de Sanctis
|
418
|
13
|
Stub
|
Low
|
| 509
|
Brian Boyd
|
413
|
13
|
Start
|
Low
|
| 510
|
Shūzō Kuki
|
412
|
13
|
Start
|
Low
|
| 511
|
The Literature of Exhaustion
|
411
|
13
|
Stub
|
Low
|
| 512
|
Medium specificity
|
410
|
13
|
Stub
|
Low
|
| 513
|
Paul Guyer
|
409
|
13
|
Stub
|
Low
|
| 514
|
Hypermodernism (art)
|
397
|
12
|
Start
|
Low
|
| 515
|
Liu Xiaofeng (academic)
|
395
|
12
|
Start
|
Low
|
| 516
|
Phonocentrism
|
386
|
12
|
Start
|
Low
|
| 517
|
Romanticism in Scotland
|
384
|
12
|
GA
|
Low
|
| 518
|
Carl Dahlhaus
|
382
|
12
|
B
|
Low
|
| 519
|
Wiener Moderne
|
379
|
12
|
Start
|
Low
|
| 520
|
John Anderson (philosopher)
|
372
|
12
|
C
|
Low
|
| 521
|
The Sense of Beauty
|
371
|
11
|
Start
|
Low
|
| 522
|
The Differend
|
370
|
11
|
Stub
|
Low
|
| 523
|
Absurd
|
366
|
11
|
Disambig
|
NA
|
| 524
|
Birmingham Set
|
366
|
11
|
Start
|
Low
|
| 525
|
Dieter Henrich
|
361
|
11
|
C
|
Mid
|
| 526
|
Feminist aesthetics
|
357
|
11
|
C
|
Low
|
| 527
|
György Lukács bibliography
|
355
|
11
|
List
|
Mid
|
| 528
|
Claire Colebrook
|
353
|
11
|
Start
|
Mid
|
| 529
|
Languages of Art
|
345
|
11
|
Stub
|
Low
|
| 530
|
The Literary Mind and the Carving of Dragons
|
344
|
11
|
Start
|
Mid
|
| 531
|
Methexis
|
343
|
11
|
Stub
|
Low
|
| 532
|
Timeline of German idealism
|
343
|
11
|
Stub
|
Low
|
| 533
|
Sean Dorrance Kelly
|
342
|
11
|
Start
|
Low
|
| 534
|
Imitation (art)
|
339
|
10
|
Stub
|
Low
|
| 535
|
Lydia Goehr
|
337
|
10
|
Start
|
Low
|
| 536
|
Northwest School (art)
|
335
|
10
|
C
|
Low
|
| 537
|
Li Zehou
|
335
|
10
|
C
|
Low
|
| 538
|
Du "Cubisme"
|
333
|
10
|
B
|
Low
|
| 539
|
Jean Grenier
|
332
|
10
|
Stub
|
Low
|
| 540
|
Paul Mattick Jr.
|
331
|
10
|
Stub
|
Low
|
| 541
|
Utamakura
|
330
|
10
|
Start
|
Mid
|
| 542
|
Cynical realism
|
327
|
10
|
Stub
|
Low
|
| 543
|
Yabo
|
317
|
10
|
Stub
|
Low
|
| 544
|
Wilhelm Heinrich Wackenroder
|
317
|
10
|
Start
|
Low
|
| 545
|
George Dickie (philosopher)
|
316
|
10
|
Stub
|
Low
|
| 546
|
Irrealism (philosophy)
|
314
|
10
|
Start
|
Mid
|
| 547
|
Digital sublime
|
307
|
9
|
Start
|
Low
|
| 548
|
Feminist art movement in the United States
|
306
|
9
|
C
|
Low
|
| 549
|
Iain Thomson
|
303
|
9
|
Stub
|
Low
|
| 550
|
Karl Rosenkranz
|
296
|
9
|
Start
|
Low
|
| 551
|
Moscow Conceptualists
|
296
|
9
|
Stub
|
Low
|
| 552
|
Antwerp school
|
294
|
9
|
Start
|
Low
|
| 553
|
Ancient aesthetics
|
294
|
9
|
Start
|
Low
|
| 554
|
Metarealism
|
292
|
9
|
Start
|
Low
|
| 555
|
Henri Focillon
|
283
|
9
|
Stub
|
Low
|
| 556
|
Nikolas Kompridis
|
283
|
9
|
C
|
Low
|
| 557
|
History of hermeneutics
|
283
|
9
|
Start
|
Low
|
| 558
|
Medium essentialism
|
280
|
9
|
B
|
Low
|
| 559
|
Taruho Inagaki
|
276
|
8
|
Start
|
Low
|
| 560
|
The Oldest Systematic Program of German Idealism
|
273
|
8
|
Start
|
Low
|
| 561
|
Fernando González (writer)
|
272
|
8
|
C
|
Low
|
| 562
|
Aesthetics of science
|
272
|
8
|
Stub
|
Low
|
| 563
|
Linguistic film theory
|
270
|
8
|
Stub
|
Low
|
| 564
|
Jan Mukařovský
|
269
|
8
|
Start
|
Low
|
| 565
|
Figuration Libre
|
269
|
8
|
Stub
|
Low
|
| 566
|
Joseph Margolis
|
268
|
8
|
C
|
Low
|
| 567
|
Imagines (work by Philostratus)
|
266
|
8
|
Stub
|
Low
|
| 568
|
Luigi Pareyson
|
263
|
8
|
Stub
|
Low
|
| 569
|
Aesthetics of nature
|
261
|
8
|
Start
|
Low
|
| 570
|
Daniel Kolak
|
258
|
8
|
Start
|
Low
|
| 571
|
Solomiia Pavlychko
|
252
|
8
|
Start
|
Low
|
| 572
|
The Cubist Painters, Aesthetic Meditations
|
252
|
8
|
B
|
Low
|
| 573
|
Neo-primitivism
|
250
|
8
|
Redirect
|
NA
|
| 574
|
Marshall McLuhan bibliography
|
250
|
8
|
List
|
Low
|
| 575
|
Léonce Rosenberg
|
250
|
8
|
C
|
Low
|
| 576
|
Tudor Vianu
|
247
|
7
|
Start
|
Low
|
| 577
|
Max Bense
|
247
|
7
|
Start
|
Low
|
| 578
|
Peter Kivy
|
247
|
7
|
Stub
|
Low
|
| 579
|
Liu Xie
|
245
|
7
|
Stub
|
Low
|
| 580
|
African aesthetic
|
243
|
7
|
Start
|
Mid
|
| 581
|
Stephen Mumford
|
243
|
7
|
C
|
Low
|
| 582
|
Michael Tanner
|
243
|
7
|
Stub
|
Low
|
| 583
|
Jerrold Levinson
|
242
|
7
|
Start
|
Low
|
| 584
|
Michael J. Shapiro
|
241
|
7
|
Start
|
Low
|
| 585
|
Essays, Moral, Political, and Literary
|
240
|
7
|
Stub
|
Low
|
| 586
|
Art theory
|
239
|
7
|
Redirect
|
NA
|
| 587
|
Epic and Novel
|
238
|
7
|
Start
|
Low
|
| 588
|
Tomonobu Imamichi
|
235
|
7
|
Start
|
Low
|
| 589
|
Abstract illusionism
|
232
|
7
|
Stub
|
Low
|
| 590
|
Stephen Pepper
|
232
|
7
|
Start
|
Mid
|
| 591
|
Superfiction
|
232
|
7
|
Start
|
Low
|
| 592
|
Unity in variety
|
231
|
7
|
C
|
Low
|
| 593
|
Yuriko Saito
|
230
|
7
|
Start
|
Low
|
| 594
|
Poet as legislator
|
229
|
7
|
Start
|
Low
|
| 595
|
Formal balance
|
228
|
7
|
Stub
|
Low
|
| 596
|
Philosophy in a New Key
|
226
|
7
|
Stub
|
Low
|
| 597
|
Theodor W. Adorno bibliography
|
226
|
7
|
List
|
Mid
|
| 598
|
Stroganov school
|
224
|
7
|
Stub
|
Low
|
| 599
|
Critical Essays (Orwell)
|
224
|
7
|
Start
|
Low
|
| 600
|
Gernot Böhme
|
221
|
7
|
Stub
|
Low
|
| 601
|
Processing fluency theory of aesthetic pleasure
|
220
|
7
|
Start
|
Low
|
| 602
|
Truth claim (photography)
|
219
|
7
|
Start
|
Low
|
| 603
|
John Rajchman
|
218
|
7
|
Stub
|
Low
|
| 604
|
Street poster art
|
217
|
7
|
Start
|
Low
|
| 605
|
Max Dessoir
|
217
|
7
|
Stub
|
Low
|
| 606
|
Edmund Gurney
|
213
|
6
|
Start
|
Low
|
| 607
|
Jerry Farber
|
212
|
6
|
Start
|
Low
|
| 608
|
Margaret MacDonald (philosopher)
|
210
|
6
|
C
|
Low
|
| 609
|
Cultural depictions of Thomas Jefferson
|
209
|
6
|
Start
|
Low
|
| 610
|
Tom Cohen
|
204
|
6
|
Stub
|
Low
|
| 611
|
Albrecht Wellmer
|
202
|
6
|
Start
|
Low
|
| 612
|
La Maison Cubiste
|
201
|
6
|
B
|
Low
|
| 613
|
Friedrich Theodor Vischer
|
200
|
6
|
Start
|
Low
|
| 614
|
Metabasis paradox
|
200
|
6
|
C
|
Low
|
| 615
|
François Hemsterhuis
|
199
|
6
|
Start
|
Low
|
| 616
|
Ásta Kristjana Sveinsdóttir
|
197
|
6
|
Stub
|
Low
|
| 617
|
Black Artists Group
|
194
|
6
|
Start
|
Low
|
| 618
|
Levels of adequacy
|
193
|
6
|
Start
|
Low
|
| 619
|
Robert Vischer
|
192
|
6
|
Stub
|
Low
|
| 620
|
The Longing for Less
|
191
|
6
|
Stub
|
Low
|
| 621
|
Roger de Piles
|
185
|
5
|
Start
|
Low
|
| 622
|
Ontopoetics
|
184
|
5
|
C
|
Low
|
| 623
|
Irrealism (the arts)
|
182
|
5
|
Start
|
Low
|
| 624
|
Elegant
|
181
|
5
|
Redirect
|
NA
|
| 625
|
The Journal of Aesthetics and Art Criticism
|
181
|
5
|
Stub
|
Low
|
| 626
|
Mikhail Lifshitz
|
180
|
5
|
C
|
Low
|
| 627
|
Natural design
|
180
|
5
|
Stub
|
Low
|
| 628
|
Aesthetic relativism
|
176
|
5
|
Stub
|
High
|
| 629
|
Frank Sibley (philosopher)
|
176
|
5
|
Start
|
Low
|
| 630
|
Thierry de Duve
|
175
|
5
|
Stub
|
Low
|
| 631
|
Johannes Volkelt
|
175
|
5
|
Stub
|
Low
|
| 632
|
Literary merit
|
173
|
5
|
Redirect
|
Mid
|
| 633
|
Rotation method
|
173
|
5
|
Stub
|
Low
|
| 634
|
Margret Grebowicz
|
173
|
5
|
Start
|
Low
|
| 635
|
Psychic distance
|
172
|
5
|
Start
|
Mid
|
| 636
|
Christine Buci-Glucksmann
|
171
|
5
|
Start
|
Low
|
| 637
|
Peter Trawny
|
171
|
5
|
Start
|
Low
|
| 638
|
Akira Asada
|
170
|
5
|
Stub
|
Low
|
| 639
|
Aesthetic of Ugliness
|
170
|
5
|
Stub
|
Low
|
| 640
|
Art and Scholasticism
|
170
|
5
|
Stub
|
Low
|
| 641
|
Bill Martin (philosopher)
|
169
|
5
|
Stub
|
Low
|
| 642
|
Index of aesthetics articles
|
168
|
5
|
List
|
High
|
| 643
|
Andrew Bowie (philosopher)
|
166
|
5
|
Start
|
Low
|
| 644
|
Charles Batteux
|
164
|
5
|
Start
|
Low
|
| 645
|
Emanuele Tesauro
|
164
|
5
|
B
|
Low
|
| 646
|
Institutional theory of art
|
163
|
5
|
Redirect
|
NA
|
| 647
|
Artistic revolution
|
162
|
5
|
Start
|
Low
|
| 648
|
Stephen Davies (philosopher)
|
159
|
5
|
Start
|
Low
|
| 649
|
Roger North (biographer)
|
157
|
5
|
Start
|
Low
|
| 650
|
David Carrier
|
157
|
5
|
Start
|
Low
|
| 651
|
Art and morality
|
155
|
5
|
Start
|
Mid
|
| 652
|
Hubert Damisch
|
153
|
4
|
Stub
|
Low
|
| 653
|
Paul Crowther
|
152
|
4
|
Start
|
Low
|
| 654
|
Ronald Paulson
|
150
|
4
|
Start
|
Low
|
| 655
|
Biographical fallacy
|
150
|
4
|
Start
|
Low
|
| 656
|
James Tartaglia
|
149
|
4
|
Start
|
Low
|
| 657
|
Lectures and Conversations on Aesthetics, Psychology, and Religious Belief
|
148
|
4
|
Stub
|
Low
|
| 658
|
Rodolphe Gasché
|
147
|
4
|
Start
|
Low
|
| 659
|
Decadentism
|
146
|
4
|
Redirect
|
Low
|
| 660
|
Wolfgang Fritz Haug
|
145
|
4
|
Start
|
Low
|
| 661
|
Karl Wilhelm Ferdinand Solger
|
143
|
4
|
Start
|
Low
|
| 662
|
New York Figurative Expressionism
|
142
|
4
|
Start
|
Low
|
| 663
|
Predrag Finci
|
141
|
4
|
Stub
|
Low
|
| 664
|
Masakazu Nakai
|
140
|
4
|
Stub
|
Low
|
| 665
|
Elisabeth Camp
|
139
|
4
|
C
|
Low
|
| 666
|
Edward Bullough
|
138
|
4
|
C
|
Mid
|
| 667
|
Gregory Currie
|
135
|
4
|
Start
|
Low
|
| 668
|
Les Plasticiens
|
135
|
4
|
Start
|
Low
|
| 669
|
Christopher Janaway
|
133
|
4
|
Stub
|
Low
|
| 670
|
Carlin Romano
|
132
|
4
|
Start
|
Low
|
| 671
|
Georg Anton Friedrich Ast
|
131
|
4
|
Start
|
Low
|
| 672
|
Spanish Eclecticism
|
131
|
4
|
Start
|
Low
|
| 673
|
Mario Perniola
|
131
|
4
|
C
|
Low
|
| 674
|
Thorsten Botz-Bornstein
|
131
|
4
|
Stub
|
Low
|
| 675
|
Calvin Seerveld
|
130
|
4
|
Start
|
Low
|
| 676
|
Curt John Ducasse
|
130
|
4
|
Stub
|
Low
|
| 677
|
Female epic
|
128
|
4
|
Start
|
Low
|
| 678
|
Albert (short story)
|
128
|
4
|
Stub
|
Low
|
| 679
|
Peter Lamarque
|
128
|
4
|
Start
|
Low
|
| 680
|
The Papers of Thomas Jefferson
|
128
|
4
|
Start
|
Low
|
| 681
|
Heinrich Gustav Hotho
|
127
|
4
|
Stub
|
Low
|
| 682
|
Virgil Aldrich
|
126
|
4
|
Start
|
Low
|
| 683
|
Adolfo Sánchez Vázquez
|
124
|
4
|
Stub
|
Low
|
| 684
|
Georg Friedrich Meier
|
123
|
3
|
Stub
|
Low
|
| 685
|
Acharya Vamana
|
123
|
3
|
Stub
|
Low
|
| 686
|
Peter Goldie
|
122
|
3
|
Stub
|
Low
|
| 687
|
On the Aesthetic Education of Man
|
122
|
3
|
Redirect
|
Low
|
| 688
|
Morris Weitz
|
121
|
3
|
C
|
Mid
|
| 689
|
Karl Ameriks
|
120
|
3
|
Stub
|
Low
|
| 690
|
Louis Mink
|
119
|
3
|
Start
|
Low
|
| 691
|
Nadežda Čačinovič
|
116
|
3
|
Start
|
Low
|
| 692
|
Antonio Caso Andrade
|
115
|
3
|
Start
|
Mid
|
| 693
|
Abstract Imagists
|
114
|
3
|
Start
|
Low
|
| 694
|
Jody Azzouni
|
114
|
3
|
Stub
|
Low
|
| 695
|
Daya Krishna
|
114
|
3
|
Stub
|
Low
|
| 696
|
Albert Hofstadter
|
112
|
3
|
Start
|
Low
|
| 697
|
Douglas Moggach
|
112
|
3
|
C
|
Low
|
| 698
|
Lessons on the Analytic of the Sublime
|
112
|
3
|
Stub
|
Mid
|
| 699
|
Social information processing
|
109
|
3
|
Start
|
Low
|
| 700
|
List of art critics
|
107
|
3
|
List
|
Low
|
| 701
|
Metaphysical aesthetics
|
107
|
3
|
C
|
Low
|
| 702
|
The Range of Reason
|
105
|
3
|
Stub
|
Mid
|
| 703
|
Adversarial Design
|
105
|
3
|
Start
|
Low
|
| 704
|
Musical historicism
|
102
|
3
|
Start
|
Low
|
| 705
|
Geoffrey Galt Harpham
|
102
|
3
|
Stub
|
Low
|
| 706
|
Philosophy and Literature
|
101
|
3
|
Stub
|
Low
|
| 707
|
Stephen David Ross
|
101
|
3
|
Stub
|
Low
|
| 708
|
Colin Radford
|
100
|
3
|
Stub
|
Low
|
| 709
|
Valentin Feldman
|
100
|
3
|
Start
|
Low
|
| 710
|
Suspense fiction
|
99
|
3
|
Redirect
|
Low
|
| 711
|
Dadaglobe
|
97
|
3
|
B
|
Low
|
| 712
|
Al-Bu'd al-Wahad
|
97
|
3
|
C
|
Low
|
| 713
|
Valentin Asmus (philosopher)
|
96
|
3
|
Start
|
Low
|
| 714
|
David Prall
|
96
|
3
|
Start
|
Low
|
| 715
|
Emily Brady
|
96
|
3
|
Stub
|
Low
|
| 716
|
Philip Wheelwright
|
94
|
3
|
Start
|
Low
|
| 717
|
Anna Tumarkin
|
94
|
3
|
B
|
Low
|
| 718
|
On Grace and Dignity
|
93
|
3
|
Stub
|
Low
|
| 719
|
Vasily Seseman
|
92
|
2
|
Start
|
Low
|
| 720
|
Communication aesthetics
|
90
|
2
|
Start
|
Low
|
| 721
|
American Society for Aesthetics
|
90
|
2
|
Stub
|
Low
|
| 722
|
Rapture (aesthetics)
|
89
|
2
|
C
|
Low
|
| 723
|
Déprimisme
|
87
|
2
|
Stub
|
Low
|
| 724
|
Alexander Gerard
|
86
|
2
|
Start
|
Low
|
| 725
|
Jeremy J. Shapiro
|
86
|
2
|
Start
|
Low
|
| 726
|
Ivan Sviták
|
86
|
2
|
Start
|
Low
|
| 727
|
Theodor Mundt
|
81
|
2
|
Start
|
Low
|
| 728
|
Visual ethics
|
80
|
2
|
Start
|
Low
|
| 729
|
Caroline Joan S. Picart
|
80
|
2
|
C
|
Low
|
| 730
|
Peter Serracino Inglott
|
78
|
2
|
Start
|
Low
|
| 731
|
Dumitru D. Roșca
|
77
|
2
|
Stub
|
Low
|
| 732
|
Giovanna Borradori
|
76
|
2
|
Stub
|
Low
|
| 733
|
Isaac Passy
|
74
|
2
|
Stub
|
Low
|
| 734
|
Richard Eldridge
|
74
|
2
|
Stub
|
Low
|
| 735
|
Larry Shiner
|
74
|
2
|
Stub
|
Low
|
| 736
|
Stupid (art movement)
|
73
|
2
|
Stub
|
Low
|
| 737
|
Modular constructivism
|
72
|
2
|
Start
|
Low
|
| 738
|
Karl Wilhelm Ramler
|
71
|
2
|
Stub
|
Low
|
| 739
|
What is a Masterpiece?
|
71
|
2
|
Start
|
Low
|
| 740
|
Antanas Andrijauskas
|
70
|
2
|
Start
|
Low
|
| 741
|
Julius von Kirchmann
|
70
|
2
|
Stub
|
Low
|
| 742
|
Catherine Perret
|
69
|
2
|
Stub
|
Low
|
| 743
|
Ivan Soll
|
69
|
2
|
C
|
Low
|
| 744
|
Jacqueline Lichtenstein
|
68
|
2
|
Start
|
Low
|
| 745
|
Panait Cerna
|
67
|
2
|
GA
|
Low
|
| 746
|
Dual-character concept
|
67
|
2
|
Stub
|
Low
|
| 747
|
British Journal of Aesthetics
|
66
|
2
|
Stub
|
Low
|
| 748
|
Nkiru Nzegwu
|
66
|
2
|
Stub
|
Low
|
| 749
|
James Creed Meredith
|
65
|
2
|
Start
|
Low
|
| 750
|
Thomas Munro (art historian)
|
65
|
2
|
Start
|
Mid
|
| 751
|
Herbert Morris (philosopher)
|
64
|
2
|
Stub
|
Low
|
| 752
|
Attractiveness
|
63
|
2
|
Redirect
|
NA
|
| 753
|
Lev Kreft
|
63
|
2
|
Stub
|
Low
|
| 754
|
Cultura (journal)
|
62
|
2
|
Stub
|
Low
|
| 755
|
D. I. Suchianu
|
62
|
2
|
B
|
Low
|
| 756
|
Peter Lunenfeld
|
61
|
1
|
Start
|
Low
|
| 757
|
Yiannis Psychopedis
|
61
|
1
|
Stub
|
Low
|
| 758
|
Elisabeth Schellekens
|
61
|
1
|
Stub
|
Low
|
| 759
|
Michael Krausz
|
61
|
1
|
Start
|
Low
|
| 760
|
Carmel Berkson
|
61
|
1
|
Stub
|
Low
|
| 761
|
Robert Hopkins (philosopher)
|
60
|
1
|
Stub
|
Low
|
| 762
|
Volker Gerhardt
|
59
|
1
|
Stub
|
Low
|
| 763
|
Nelson Thomas Potter Jr.
|
59
|
1
|
Start
|
Low
|
| 764
|
Aesthetic absolutism
|
59
|
1
|
Start
|
High
|
| 765
|
Norbert-Bertrand Barbe
|
58
|
1
|
Start
|
Low
|
| 766
|
Journal of Philosophy of Education
|
58
|
1
|
Stub
|
Low
|
| 767
|
Art Deco in Durban
|
57
|
1
|
Start
|
Low
|
| 768
|
Rachida Triki
|
57
|
1
|
Start
|
Low
|
| 769
|
Martin Foss
|
57
|
1
|
C
|
Low
|
| 770
|
Ewa Ziarek
|
57
|
1
|
Start
|
Low
|
| 771
|
Bernhard Alexander
|
56
|
1
|
Start
|
Low
|
| 772
|
Ticio Escobar
|
55
|
1
|
C
|
Low
|
| 773
|
Daniel O. Nathan
|
55
|
1
|
Stub
|
Low
|
| 774
|
Aloys Hirt
|
54
|
1
|
Start
|
Low
|
| 775
|
José María Valverde
|
54
|
1
|
C
|
Low
|
| 776
|
Timothy Binkley
|
54
|
1
|
Start
|
Low
|
| 777
|
Rocío Orsi
|
54
|
1
|
Start
|
Low
|
| 778
|
George Lansing Raymond
|
51
|
1
|
Start
|
Low
|
| 779
|
James M. Edie
|
51
|
1
|
Start
|
Low
|
| 780
|
Viktor Bychkov (philosopher)
|
51
|
1
|
C
|
Low
|
| 781
|
Encyclopedia of Aesthetics
|
50
|
1
|
Start
|
Low
|
| 782
|
John P. Anton
|
49
|
1
|
Stub
|
Low
|
| 783
|
Presentationism
|
48
|
1
|
Stub
|
Low
|
| 784
|
Dewitt H. Parker
|
48
|
1
|
Stub
|
Low
|
| 785
|
Yacouba Konaté
|
48
|
1
|
Start
|
Low
|
| 786
|
Melvin Rader
|
48
|
1
|
C
|
Low
|
| 787
|
Quirino Principe
|
48
|
1
|
Start
|
Low
|
| 788
|
Rachel Zuckert
|
48
|
1
|
Stub
|
Low
|
| 789
|
Leonid Stolovich
|
47
|
1
|
Start
|
Low
|
| 790
|
Eastern Group of Painters
|
47
|
1
|
Stub
|
Low
|
| 791
|
Alejandro Deustua
|
47
|
1
|
Stub
|
Low
|
| 792
|
Fabienne Brugère
|
47
|
1
|
C
|
Low
|
| 793
|
Ruth L. Saw
|
46
|
1
|
Start
|
Low
|
| 794
|
Michael Sprinker
|
45
|
1
|
Stub
|
Low
|
| 795
|
Eddy Zemach
|
45
|
1
|
Stub
|
Low
|
| 796
|
Kunstreligion
|
45
|
1
|
Stub
|
Low
|
| 797
|
British Society of Aesthetics
|
45
|
1
|
Stub
|
Low
|
| 798
|
Josefina Ayerza
|
44
|
1
|
Stub
|
Low
|
| 799
|
Julius Moravcsik
|
44
|
1
|
Start
|
Low
|
| 800
|
Art of murder
|
43
|
1
|
Disambig
|
NA
|
| 801
|
Ernst von Lasaulx
|
43
|
1
|
C
|
Low
|
| 802
|
List of culturally linked qualities of music
|
43
|
1
|
List
|
Low
|
| 803
|
RAAAF
|
43
|
1
|
Start
|
Low
|
| 804
|
Hermann Theodor Hettner
|
42
|
1
|
B
|
Low
|
| 805
|
Józef Kremer
|
41
|
1
|
Start
|
Low
|
| 806
|
Arnór Hannibalsson
|
41
|
1
|
Stub
|
Low
|
| 807
|
Charles Lalo
|
39
|
1
|
Stub
|
Low
|
| 808
|
Federico Ferrari
|
39
|
1
|
Start
|
Low
|
| 809
|
Cynthia Nielsen
|
39
|
1
|
C
|
Low
|
| 810
|
International Association of Empirical Aesthetics
|
38
|
1
|
Start
|
Low
|
| 811
|
Marcus Steinweg
|
38
|
1
|
Stub
|
Low
|
| 812
|
Gloria Feman Orenstein
|
38
|
1
|
C
|
Low
|
| 813
|
Karl Heinrich Heydenreich
|
37
|
1
|
Stub
|
Low
|
| 814
|
Curtis L. Carter
|
36
|
1
|
Stub
|
Low
|
| 815
|
Rupert Lodge
|
35
|
1
|
Stub
|
Low
|
| 816
|
Rainer Rochlitz
|
35
|
1
|
Stub
|
Low
|
| 817
|
Jovan Došenović
|
35
|
1
|
Start
|
Low
|
| 818
|
Madeleine Doran
|
34
|
1
|
Stub
|
Low
|
| 819
|
Charles Sirato
|
34
|
1
|
Start
|
Low
|
| 820
|
Arto Haapala
|
33
|
1
|
Stub
|
Low
|
| 821
|
Zinaida Ignatyeva
|
33
|
1
|
Stub
|
Low
|
| 822
|
Inconnu Independent Art Group
|
31
|
1
|
Stub
|
Low
|
| 823
|
Galen Johnson
|
31
|
1
|
Stub
|
Low
|
| 824
|
Jean Poirier (ethnologist)
|
31
|
1
|
Start
|
Low
|
| 825
|
John Mueller Anderson
|
30
|
0
|
Stub
|
Low
|
| 826
|
Jill Marsden (scholar)
|
29
|
0
|
Stub
|
Low
|
| 827
|
Helen Knight
|
28
|
0
|
Start
|
Low
|
| 828
|
Lonergan Institute
|
27
|
0
|
Redirect
|
Low
|
| 829
|
Warren Shibles
|
27
|
0
|
Stub
|
Low
|
| 830
|
Heinrich Lützeler
|
27
|
0
|
Start
|
Low
|
| 831
|
Richard Müller-Freienfels
|
27
|
0
|
Stub
|
Low
|
| 832
|
Aesthetic Theory: Essential Texts
|
27
|
0
|
Stub
|
Low
|
| 833
|
Second-order simulacra
|
26
|
0
|
Redirect
|
Low
|
| 834
|
Léon Dumont
|
26
|
0
|
Start
|
Low
|
| 835
|
Mikhail Ovsyannikov
|
25
|
0
|
Stub
|
Low
|
| 836
|
Rafaël Pividal
|
25
|
0
|
Start
|
Low
|
| 837
|
Dato Barbakadze
|
24
|
0
|
Start
|
Low
|
| 838
|
James DiGiovanna
|
23
|
0
|
Start
|
Low
|
| 839
|
Tasos Zembylas
|
23
|
0
|
Stub
|
Low
|
| 840
|
Laurent Gervereau
|
22
|
0
|
Start
|
Low
|
| 841
|
Jean Soldini
|
22
|
0
|
Stub
|
Low
|
| 842
|
Art versus Nonart: Art out of Mind
|
22
|
0
|
Start
|
Low
|
| 843
|
Menachem Brinker
|
22
|
0
|
Start
|
Low
|
| 844
|
Archestratus (music theorist)
|
21
|
0
|
Start
|
Low
|
| 845
|
Ömer Naci Soykan
|
20
|
0
|
Start
|
Low
|
| 846
|
Stephen H. Watson
|
20
|
0
|
Stub
|
Low
|
| 847
|
Luis Oyarzún Peña
|
19
|
0
|
Start
|
Low
|
| 848
|
Littoral art
|
18
|
0
|
Stub
|
Low
|
| 849
|
Formalesque
|
18
|
0
|
Start
|
Low
|
| 850
|
Janet McCracken
|
18
|
0
|
Stub
|
Low
|
| 851
|
Georg Mehlis
|
17
|
0
|
Stub
|
Low
|
| 852
|
Ferdinand Gotthelf Hand
|
17
|
0
|
Start
|
Low
|
| 853
|
Versatilist manifesto
|
17
|
0
|
Start
|
Low
|
| 854
|
Joseph Hillebrand
|
16
|
0
|
Stub
|
Low
|
| 855
|
Milan Damnjanović (philosopher)
|
15
|
0
|
Stub
|
Low
|
| 856
|
Carl Günther Ludovici
|
15
|
0
|
C
|
Low
|
| 857
|
Giuseppe Di Giacomo
|
15
|
0
|
Start
|
Low
|
| 858
|
Contemporary Debates in Aesthetics and the Philosophy of Art
|
15
|
0
|
Stub
|
Low
|
| 859
|
Géza Fodor (philosopher)
|
14
|
0
|
Stub
|
Low
|
| 860
|
Wilhelm Fridolin Volkmann
|
14
|
0
|
Stub
|
Low
|
| 861
|
Interracial attraction
|
14
|
0
|
Redirect
|
Low
|
| 862
|
Concepts in aesthetics
|
14
|
0
|
Redirect
|
NA
|
| 863
|
Philippe Nys
|
13
|
0
|
Start
|
Low
|
| 864
|
Elena Topuridze
|
13
|
0
|
Start
|
Low
|
| 865
|
Michel Guiomar
|
13
|
0
|
Stub
|
Low
|
| 866
|
Theodor Wilhelm Danzel
|
13
|
0
|
Stub
|
Low
|
| 867
|
International Society for Philosophy of Music Education
|
12
|
0
|
Stub
|
Low
|
| 868
|
Max Loreau
|
12
|
0
|
Start
|
Low
|
| 869
|
Maximilian Balzan
|
10
|
0
|
Start
|
Low
|
| 870
|
Œuvre
|
8
|
0
|
Redirect
|
NA
|
| 871
|
Sottorealism
|
7
|
0
|
Start
|
Low
|
| 872
|
International Institute of Applied Aesthetics
|
6
|
0
|
Stub
|
Low
|
| 873
|
Jerry Balmuth
|
6
|
0
|
Start
|
Low
|
| 874
|
Worst sitcoms
|
3
|
0
|
Redirect
|
NA
|
| 875
|
Post-futurism
|
2
|
0
|
Redirect
|
Low
|
| 876
|
Objectivism in Canada
|
2
|
0
|
Redirect
|
NA
|
| 877
|
Manifestations of postmodernism
|
1
|
0
|
Redirect
|
NA
|
